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In: 2017, Hot Take

Hot Take: A worthy Best Picture nominee that’s a showcase for Gary Oldman who gives arguably the best performance of his life as Winston Churchill.

It would be unfair to call The Post “Oscarbait” but not tag Darkest Hour with the same criticism. Both films rely heavily on themes that have a track record of success with the Academy in garnering Award nominations and a worthy cast. That being said, Darkest Hour is more transcendent than The Post and it’s also a showcase for Gary Oldman, one of the greatest actors of our era who is given a chance to domineer the screen with his larger than life performance as Winston Churchill during the ascension of Churchill to the position of Prime Minister at the height of the German expansion during World War II. It’s basically a 2+ hour highlight reel of Oldman’s ability to command a role from beginning to end and one of his most complete and transformational performances. Read More →

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In: 2017, Weigh In

In less than 24 hours, we will know the nominees for this year’s Academy Awards. The MHT nominees would be much different than what we’ll hear from the Academy but it’s always fun to talk about who might be nominated. Here are the MHT predictions as well as who I’d nominate if mine were the only voice that mattered:

Best Picture

My Nominations

  • Star Wars: The Last Jedi
  • Lady Bird
  • Darkest Hour
  • Wind River
  • I, Tonya
  • mother!
  • Three Billboards Outside Ebbing, Missouri
  • Baby Driver
  • A Ghost Story
  • The Disaster Artist

Who Will Earn the Nomination (From Most to Least Likely):Read More →

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In: 2017, Hot Take

Hot Take: It’s a coming of age film but there’s an uncomfortable age difference between the two love interests. It’s over long at 132 minutes and verbose in its embrace of young love and experimentation. 

I remember watching Luca Guadagnino’s last film A Bigger Splash and thinking how overindulgent it was. His latest, the critically acclaimed coming of age Call Me By Your Name, wears the overindulgent monicker like a badge of honor. There’s also the age difference between Timothee Chalamet’s 17-year-old Elio and Armie Hammer’s Oliver whose age is never identified but even if the 31-year-old Hammer is portraying someone 5 years younger than his actual age, that’s still a 9 year difference between the two romantically linked leads. Sexual ambiguity is abound here also as the young Elio has sexual encounters with man, woman and fruit (yes… peach to be more precise) throughout this 132 minute sexual journey.Read More →

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In: 2017, Hot Take

Hot Take: The faux documentary is even funnier because it’s a real faux documentary, if that makes sense. As darkly comic as last year’s The Bronze but thanks to a more worthy (and real) subject matter, it sticks the landing.

Is I, Tonya being condescending to its main character or sympathetic? After watching, it’s very easy to draw the conclusion that it’s being both as the Tonya Harding biopic we never knew we wanted but absolutely needed deftly chooses to not pick a lane and tell the story from all angles. I, Tonya tries to piece together the wildly different tellings of the Tonya Harding story from multiple perspectives culminating with the infamous attack on skating rival Nancy Kerrigan. Director Craig Gillespie does an excellent job of balancing all of the stories as pieced together by “wildly contradictory” interviews done about Tonya’s life and times leading up to the incident. Read More →

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In: 2017, Hot Take

Hot Take: Damn you, Pixar! Yet another tug at the heart strings from the makers of Toy Story, Wall-E, Up, Inside Out and unexpected emotional breakdowns during animated films.

Pixar hasn’t just mastered the art of animation. They’ve also mastered the ability to take what’s essentially a kid’s genre and make it all ages fare and consistently provide enough emotional ammunition to bring even the most closed off curmudgeon to tears. (Although that’s not me… I’m a pretty easy mark.) Coco is the latest in Pixar’s arsenal of films that are usually technically perfect, family oriented and ready to bring you to tears before the credits roll. In typical Pixar fashion, Coco is both inspirational and heart-breaking and delivers all the feels you’ve come to expect from the master animators. Read More →

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In: 2017, Hot Take

Hot Take: Oscarbait account of The Pentagon Papers. Highly competent newspaper tale along the lines of Spotlight without the emotional weight.

Take a true story. Add Steven Spielberg as director. Add Meryl Streep and Tom Hanks as the stars. Add a number of competent supporting cast members including Bob Odenkirk, Bradley Whitford, Tracy Letts and others. Throw in a score from John Williams. Tie it to the current political climate and some similarities to the past and you have a film capable of scoring an Oscar nomination or two. The Post, a historically accurate account of the publishing of The Pentagon Papers from the point of view of The Washington Post and a subplot of Kay Graham (Streep) as the first female president and publisher of an American newspaper, is high octane Oscarbait and received 6 Golden Globe nominations which could be a sign of things to come for The Post come the announcement of Academy Award nominations next week. Read More →

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In: 2017, Hot Take

Hot Take: Guillermo del Toro is a visionary and Sally Hawkins is brilliant but there’s just something that keeps The Shape of Water from being great. 

Currently, I rank The Shape of Water as the 16th best film of 2017. While that is nothing to sneeze at, The Shape of Water is expected to be nominated for Best Picture and some think it should win. It’s hard for me to get behind the notion. While The Shape of Water has a ton going for it, there’s something about it that just doesn’t quite make it feel worthy of such accolades. Sure, Guillermo del Toro is a brilliant director with amazing imagery but we’ve seen Beauty and the Beast before so the story at its core isn’t too fascinating. Even with a renewed mistrust of Russia thanks to recent political events, the added twist of a covert U.S. operation surrounding torturing an exotic find in a South American river during the Cold War in a Baltimore government facility just doesn’t, pardon the pun, completely hold water. It’s what you come to expect from del Toro who does dark fantasy so well but when thinking about it in terms of Oscar, it feels like it comes up just a bit short.Read More →

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In: 2017, Hot Take

Hot Take: Another great showcase for Jessica Chastain… even if they might have started resembling each other.

Last year, Jessica Chastain starred in Miss Sloane. Personally, I thought she should have been nominated for her performance but didn’t think it was going to happen because the film wasn’t critically acclaimed. She carried that film and elevated it from good to very good (almost great) status with her performance alone. At the time, John Madden’s Miss Sloane was occasionally referred to as “Sorkin-esque” albeit written by Jonathan Perera and directed by John Madden. So, this year’s Chastain entry to Awards season feels a lot like last year’s entry as Chastain carries much of the film as the titular character in Molly’s Game (although she gets more help from supporting cast member Idris Elba than anyone who appeared in Miss Sloane) and this year’s movie is actually written and directed (in his directorial debut) by Aaron Sorkin. Read More →

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In: 2017, Hot Take

Hot Take: I expected to hate it. Didn’t hate it.

There was something that didn’t sit right with the idea of another Jumanji film. Maybe it was the passing of Robin Williams or maybe it was the fact that I just didn’t think the original Jumanji was all that great but I certainly wasn’t looking forward to Jumanji: Welcome to the Jungle. It took some time to settle in and no one will mistake it for cinematic genius but Jumanji: Welcome to the Jungle manages to be very entertaining and even laugh out loud funny at times. It’s misplaced summer popcorn flick that found its way into the winter season.Read More →

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In: 2017, Hot Take

Hot Take: The nifty trick of making Kevin Spacey disappear and replacing him with Christopher Plummer is more interesting than this facts heavy thriller from Ridley Scott. Very good but not great with more drama off-screen than on.

Sometimes the sum is greater than the parts but occasionally, the reverse is true. That’s what we get in All the Money in the World, the latest film from Ridley Scott which is based on the true events surrounding the kidnapping of the grandson of J. Paul Getty. While the movie is solid (as is almost anything helmed by Scott), the performances from Christopher Plummer and Michelle Williams stand out well above the quality of the film. Plummer’s excellent performance is especially fascinating considering he was added to the film after a sexual assault scandal rocked former co-star Kevin Spacey. The cast and crew got back together to re-shoot Spacey out of the film and replace him with Plummer in the role of J. Paul Getty. Re-shoots took 10 days at the end of November and the film premiered just 19 days later. As for Williams’ role, there’s no fascinating story behind it, just another excellent performance that could earn her another Oscar nomination. Read More →