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2016 (Page 20)

Hot Take: London Has Fallen

2016-03-07
By: Brian Joseph
On: March 7, 2016
In: 2016, Hot Take

Hot Take: Our guess is there will be a lot of common descriptions of London Has Fallen amongst critics: Unnecessary, cliché, bloodthirsty, callous, predictable, simplistic, xenophobic, jingoistic. At MHT, we think we have a better description: Shitty!

It looks like 2016 will be the year of the unnecessary sequel. London Has Fallen joins Ride Along 2 and Zoolander 2 in the category of “Who thought this was a good idea?” To be fair, no one should have expected more from this sequel to the 2013 hit Olympus Has Fallen. Unlike Whiskey Tango Foxtrot which totally misrepresented itself in trailers, London Has Fallen led with the tagline, “Shit’s about to get stabby” in one TV spot.

WARNING: SPOILER ALERT! If you can’t figure out what happens in this movie and are surprised by anything written from this point on, you might want to see more movies but we do have an obligation to tell you key plot points will be given away if you continue to read about how shitty London Has Fallen is.Read More →

Hot Take: Whiskey Tango Foxtrot

2016-03-05
By: Brian Joseph
On: March 5, 2016
In: 2016, Hot Take

Hot Take: For the longest time, I’ve been telling myself maybe Tina Fey just isn’t getting the right vehicles for her to be amazing in. After Whiskey Tango Foxtrot, I realized maybe I don’t care for Tina Fey all that much and maybe she’s not going to have a right vehicle for her to be amazing in.

Maybe it’s too harsh to blame Tina Fey directly for the complete unevenness of Whiskey Tango Foxtrot. Thanks to some terrible marketing which portrayed the film in a much more comedic light, it took some adjustment to the more serious tone of the film. Based on such a misrepresentation, it was unsurprising to see a few people walk out of the showing. This in no way is the reason the film was uneven but it’s easily the reason it was so noticeable.Read More →

Hot Take: Zootopia

2016-03-04
By: Brian Joseph
On: March 4, 2016
In: 2016, Hot Take

Hot Take: My 8-year-old self would love Zootopia. The thing is, so would my 16-year-old self… probably as much as my adult self did. Disney’s latest is one of the best films to ever come from the studio. Ever.

Historically, Disney has made an effort to include children and adults in their animated features. Often, it is done within the humor as there are jokes designed to make the kids laugh and then others with references that only adults will get and kids will laugh along with because their parents are laughing. Zootopia makes an effort to include children and adults in a much different way. There are no inappropriate jokes designed to go over the heads of the younger audience. Rather, Zootopia gives you a multi-layered plot with a very kid-friendly “you can be anything” message but, at the same time, explores a deeper, more adult dialogue on racial and gender equality and the danger of fear and hysteria in civilized society.Read More →

To See or Not To See – March 4th: Zootopia, London Has Fallen, Whiskey Tango Foxtrot, The Other Side of the Door & Knight of Cups

2016-03-03
By: Brian Joseph
On: March 3, 2016
In: 2016, To See or Not To See

Deadpool won’t be ruling the box office for a fourth week as Disney’s Zootopia furrily enters the fray with big time expectations. Can Zootopia reach the heights of Frozen? Will Deadpool dip to third with the sequel to Olympus Has Fallen, London Has Fallen, hitting theaters this week? How will Tina Fey’s dramedy Whiskey Tango Foxtrot do? Will The Other Side of the Door do well enough to get an expansion next week? Why the hell is Knight of Cups only playing in New York and Los Angeles? Have I asked enough questions yet? Let’s take a look at this week’s new theatrical releases:Read More →

Trailer Hot Take: Ghostbusters

2016-03-03
By: Brian Joseph
On: March 3, 2016
In: 2016, Hot Take, Trailers

Anticipation (Before Trailer): 85/100

Anticipation (After Trailer): 90/100

The new Ghostbusters does it’s job well. 32 years after the original is plenty of time for a by-the-numbers reboot if they wanted to. At least this reboot gives us a new twist on things with the four scientists busting ghosts in NYC being women (played by Melissa McCarthy, Kristen Wiig, Kate McKinnon and Leslie Jones). The film has a lot of familiar elements for any Ghostbusters fan and the usually over-the-top McCarthy is very subdued which is unexpected.

The film itself drops July 15th, 2016, so expect one or two more trailers before then plus a ton of merchandise to go along with the film wouldn’t be surprising, either.

Hot Take: Eddie the Eagle

2016-03-02
By: Brian Joseph
On: March 2, 2016
In: 2016, Hot Take

Hot Take: My 14-year-old self would love Eddie the Eagle. My adult self wasn’t nearly as thrilled but it’s definitely a feel good, inspiring tale.

What if someone took the true story of Michael “Eddie the Eagle” Edwards, ripped off the Cool Runnings narrative and combined them into a film? Enter Eddie the Eagle. While inspired by a true story, much of the story portrayed in Eddie the Eagle is embellished. The real eventual Olympic novelty didn’t have a mentor, wasn’t completely inexperienced in ski jumping, didn’t train in Germany and was already a known novelty when he arrived in Calgary for the ’88 Olympics (there was a fan club waiting upon his arrival at the airport). Other than that, the remaining 10% of the movie is completely accurate.Read More →

Hot Take: Gods of Egypt

2016-02-29
By: Brian Joseph
On: February 29, 2016
In: 2016, Hot Take

Hot Take: Although it was most fun I’ve had watching a terrible movie in quite some time, how the hell does this movie get a green light?

Early on, it was pointed out by the narrator that Gods of Egypt took place before history began. This should have been a tip-off the typical rules would not apply to this prehistoric whitewashing of Egyptian mythology. However, even if it was, the ridiculousness of Gods of Egypt has to go down in cinematic history as one of the worst films with a budget greater than $100 million. Yet, despite it’s racial insensitivity, pointlessness and overall terribleness, there’s something highly watchable about Gods of Egypt. I guess it’s not farfetched to compare it to when you slow down as you drive past a horrific wreck on the highway. Sure, you have somewhere better to be and you don’t really want to see the carnage but you can’t help but gaze upon the wreck.Read More →

Hot Take: Triple 9

2016-02-27
By: Brian Joseph
On: February 27, 2016
In: 2016, Hot Take

Hot Take: If Dr. Frankenstein were a filmmaker and he had Igor steal the brains of every corrupt cop and heist thriller of the last two decades. Triple 9 is corrupt cop/heist karaoke.

Depending on your mood, Triple 9 could be deliciously entertaining trash or disdainfully uneven dreck. On a good day, it’ll be a glorified B-movie oozing machismo and corruption. On a bad day, it’ll be a gratuitously violent copycat of much better films and television shows of the past. It would be surprising if watching Triple 9 reminds you of Heat, Training Day, Reservoir Dogs, The Departed, Sicario and The Wire just to name a few of the films and shows it seemed to be influenced by.Read More →

To See or Not To See – February 26th: Gods of Egypt, Triple 9 & Eddie the Eagle

2016-02-25
By: Brian Joseph
On: February 25, 2016
In: 2016, To See or Not To See

Can anyone stop Deadpool at the box office? This week a mortal hero, some Egyptian gods, corrupt cops, tough criminals, an underdog British Olympic hopeful and Wolverine (well, sort of!) all try to dethrone the antihero. Let’s take a peek at this week’s releases:Read More →

Hot Take: Race

2016-02-21
By: Brian Joseph
On: February 21, 2016
In: 2016, Hot Take

Hot Take: A biopic about Jesse Owens shouldn’t move this slow.

There were plenty of fascinating tales throughout the life of Jesse Owens, the track athlete who battled bigotry while becoming an Olympic great. There were plenty of fascinating tales on the periphery of Owens’ life as he came to prominence during Adolf Hitler’s rise to power in Germany and a time in the United States where blacks were still not recognized as equals. Unfortunately, Race feels compelled to try and tell them all in 2 hours and 14 minutes. Even more disappointing is the film’s inability to pick something to actually sink it’s teeth into, thus creating a glossy version of a darker story and focusing on Owens’ athletic accomplishments while glancing at the social issues surrounding him.Read More →

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